How to Think Inside the Box

Graphic illustrations of three different styles of boxes.I think of our client’s projects in the same way I think of boxes. I love interesting boxes: different shapes, different textures, different mechanisms to open, different purposes. You wouldn’t give an engagement ring in a packing box, and you wouldn’t pack computer ram in a velvet jewelry box — unless you are specifically going for an unexpected effect. From a simple packing box to a curved-sides box, to a silk-embroidered covered box, each box has its unique characteristics and purpose.

Design projects are the same, with characteristics and a purpose unique to each. Defining the project means understanding (the optimal) target audience, the goal, the reasons for action (features/benefits), and how this project fits in context with the rest of the project or campaign components so that coherence with the brand is addressed. Printed materials, display graphics, user interface design and packaging all have different criteria, as do the different manufacturing or reproduction methods associated with each. It’s super-critical when those different methods all must represent the product and brand appropriately and consistently!

For example, our branding work with the Sacramento Tree Foundation over the last ten months has included a great group of projects that have asked us to become involved at several levels. Each project was a different ‘box’ to be designed and tailored to a strategy and audience. To have a thorough understanding we participated in developing initial strategy and messaging concepts, and then worked through the design and production phases on many projects in parallel tracks. We’ve been able to create a new look that honors the 25-year-long history and reflects the new human-focused messaging. The success of those projects will play out over the next year, in the varied applications and venues. This process is similar for all clients. By understanding and appreciating the unique purpose of each project that we can create just the right box to manifest your desired outcome.

Graphic illustrations of three boxes, one closed, one open with paper inside, and one open and empty on the inside.Was this post helpful? How do you approach your projects? Do you enjoy delving into each project and refining the problem or do you find it constrictive to your creative process?

You Get What You Pay For

I recently watched a friend of mine go through a process to have a shower door custom made and installed. I had custom glass shelves installed in a kitchen remodel a year before and I was impressed by the precision of the glass company [Dick’s Rancho Glass]. When the friend and her husband got prices from the glass company and from the installation department of a big box store (which I normally shop at), the slightly cheaper price seemed like a reasonable decision. Three door mis-installations later, due mainly to the door manufacturer not measuring and manufacturing the product correctly, and, whoooeee, the $150 they saved has been eaten up by the time spent making and waiting for the appointments for each new installation.

We’ve had that happen with clients as well. They saved ‘a ton’ of money on the photography, design or printing, only to find that some very basic details had not been accounted for. Even simple things like how we make mockups, versus only sending pdf files, have made a big difference. Once you touch the booklet, see the pages as a spread (vs viewing in single page pdf format) and realize that two photos, or two text blocks don’t make sense in context, then important decisions can be addressed. Otherwise, it comes up at the printers proof with a time and cost consequence.

Love those mockups. They reveal more than we’d ever expect, and are so glad they do.

Do you still make mock-ups for your clients? or even for yourselves? How do you avoid those types of mistakes? Even been beat out on a quote and had the client come back to you to do it right? Share your story in the comments below.

Prepping for Sandia

Lucky us. After several rounds of submitting resumes, cost sheets, and forms, were invited to make a presentation of our work to Sandia National Labs in Livermore. I love science as much as I love design, and this could be a great opportunity to work on making nerdy projects accessible. But with short notice, my loathing at making anything look good in Powerpoint, and the idea that we’d be compared with megashops in the bay area, it was a fun soul-searching process to think about who we are… just the right amount of: creative, smart, nimble, and fun.

Especially considering the notion that most in-house creative staff have to crank things out and sometimes forget when to stretch the boundaries to create a more effective result, the fact that we can stretch ‘just the right amount’ while still being fast and service-minded is a nice quality to bring to the relationship. I also realized that with them having designers on staff, our bringing ‘a vision’ and ‘art direction’ might be welcomed as a unique piece of the puzzle, beyond the regular design, production and project management.

If all goes well, we’ll be designing brochures, report covers and exhibit panels for some new smart transportation technology and other cool things that scientists are researching; things that need to be explained to policymakers, funders and the public. Wish us luck!